Gatwa is best known for portraying the Fifteenth incarnation of the Doctor in the long-running series Doctor Who, a role he held for two seasons. His performance garnered widespread acclaim, contributing to the show’s ongoing legacy.

Before his rise to fame, Gatwa graduated with a Bachelor of Arts in Acting from the Royal Conservatoire of Scotland in 2013. His acting career began at Dundee Rep theatre, where he honed his craft and developed his unique style.

In addition to his role in Doctor Who, Gatwa gained recognition for his performance in the Netflix series Sex Education, further establishing himself as a versatile actor. He was previously awarded an honorary doctorate from the Royal Conservatoire of Scotland, acknowledging his impact in the field of acting.

Prof. Andy Schofield, a representative from the University of Glasgow, stated, “Honorary degrees give us the opportunity to recognise individuals whose achievements have had a profound and positive impact within their professions and wider society.” This sentiment underscores the importance of Gatwa’s contributions to the arts.

Gatwa reflected on his time in Doctor Who, saying, “I was tired and burnt out at the end of [season 2]. It was exhausting. But it was a magical time, magical.” His passion for the show is evident, though he also expressed a readiness to move on, stating, “I had to wrestle with myself – I fell in love with that show. I’ll miss it, but I was ready to move on.”

The honorary degrees will be awarded during both summer and winter graduation ceremonies, with Gatwa’s recognition marking a significant milestone in the university’s history.

Details remain unconfirmed regarding any additional honorary degree recipients for the upcoming ceremonies, but the anticipation surrounding Gatwa’s award is already generating excitement within the community.

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Niblett, who was elected as a Labour MP for South Derbyshire in 2024, has expressed her desire to secure a debate in Parliament on lifelong sex education in early autumn 2026. The campaign’s tagline, ‘Yes Sex Please, We’re British!’, encapsulates its goal of normalizing conversations about sexual health and pleasure.

To further this cause, Niblett plans to bring sex toys into Parliament, aiming to encourage candid discussions about sexual pleasure. She has also met with representatives from Love Honey to discuss the health benefits of masturbation, highlighting the need for comprehensive sex education that goes beyond the traditional medical approach.

Niblett has been vocal about her own experiences with sex education, describing it as ‘pretty medical’ and lacking in discussions about pleasure. She believes that education should be the ‘biggest tool’ in combating societal stigma around sex.

In addition to her campaign efforts, Niblett has engaged with content from MakeLoveNotPorn, which showcases ‘real people having messy, funny, intimate, sensual sex’. She supports the BBC’s initiative to create and publish more educational adult content, emphasizing the importance of portraying healthy sexual relationships.

While the Labour government is moving forward with a ban on certain types of online pornography, Niblett argues that it is equally crucial to educate the public on what is beautiful and normal about real sex and love. She stated, “Whilst government can and is taking action to block and ban harmful content online, we need to ensure we’re educating on what is beautiful and normal about real sex and love in real life for every consenting person in the UK.”

Niblett’s campaign is not just political; it is personal. She hopes to gather insights from various organizations and individuals to enrich her understanding of sexual education. “What I am hoping is that by the time we get to summer recess, I have got a whole bank of organisations to visit and speak with and gather information,” she remarked.

As the campaign progresses, Niblett acknowledges the challenges ahead. She stated, “If I could rewire my brain… It’s not too late, I’m hoping that, actually, this summer of sex is also an education for me.” Details remain unconfirmed regarding the specific outcomes of her campaign, but the push for a more open dialogue on sex education continues to gain momentum.

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Amy Gledhill, a prominent figure in the UK comedy scene, has garnered significant attention as a contestant on the second season of Last One Laughing, which premiered on March 19, 2026. Prior to this development, Gledhill was celebrated for her comedic prowess, having won the 2024 Edinburgh Comedy Award for her show Make Me Look Fit On The Poster. Her rise in the comedy world was marked by her appearances in popular shows, including a role as a beautician in Netflix’s Sex Education, and her comedic partnership with Chris Cantrill as part of The Delightful Sausage.

The launch of the second season of Last One Laughing marked a decisive moment for Gledhill, who is now competing alongside other notable comedians such as David Mitchell and Romesh Ranganathan. This season follows the successful UK adaptation of the original Japanese version titled Documental, which had already set high expectations for comedic entertainment. The show features ten comedians, each vying to make the others laugh while maintaining their own composure.

However, Gledhill’s participation comes at a time of personal grief, as she faced the loss of her father shortly before the season’s premiere. This profound event has undoubtedly influenced her performance and perspective on comedy. Gledhill has openly shared her father’s enthusiastic support for her early performances, describing him as a ‘legendary’ figure in her life. This emotional backdrop adds depth to her comedic journey, contrasting the light-hearted nature of the show with her personal challenges.

The impact of Gledhill’s participation in Last One Laughing extends beyond her individual performance. As a patron for Hull and East Yorkshire Mind, she advocates for mental health awareness, which resonates with audiences who may find solace in her humor during difficult times. The juxtaposition of her comedic career and her advocacy work highlights the multifaceted nature of her public persona.

Critics have responded positively to the new season, with publications like The Guardian noting that “this series leaves me helpless with laughter at least once an episode.” Meanwhile, Metro described the show as “a bit of joyous, silly fun,” further solidifying its reputation as one of the best shows on television. Such acclaim not only elevates Gledhill’s profile but also underscores the show’s ability to provide laughter amid personal and societal challenges.

As Gledhill navigates her role on the show, the contrast between her comedic endeavors and her personal loss serves as a poignant reminder of the complexities faced by performers. While she brings joy to audiences, her journey reflects a deeper narrative about resilience and the healing power of humor. The show itself, with its simple yet effective premise, has captivated viewers, proving that laughter can be a vital source of comfort.

In summary, Amy Gledhill’s involvement in Last One Laughing showcases her talent while also highlighting her personal journey. As she continues to entertain audiences, her story serves as an inspiration, reminding us of the strength found in vulnerability. Details remain unconfirmed regarding how her personal experiences will shape her performance in the ongoing season, but her presence undoubtedly adds a significant layer to the show’s dynamic.

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