What the data shows
What does the revival of David Hare’s 1973 play Teeth ‘n’ Smiles reveal about contemporary theatre? The answer lies in the performance of Rebecca Lucy Taylor, who plays the character Maggie. Taylor, also known as the pop star Self Esteem, has received critical acclaim for her portrayal, which has been described as “sensational” by Sarah Crompton, highlighting her ability to convey a mix of self-loathing and determination.
Teeth ‘n’ Smiles is set against the backdrop of a chaotic gig at a university ball in 1969, a time when the cultural landscape was rapidly changing. This revival, directed by Daniel Raggett, aims to bring a fresh perspective to a play that was first staged at the Royal Court in 1975. The production features original songs by Nick and Tony Bicât, adding a musical element that enhances the narrative.
The play is currently being performed at the Duke of York’s Theatre and will run until June 6, 2026. Critics have given the production an average rating of 3.2 stars, indicating a mixed reception. While some praise the performances, others question the relevance of reviving a piece that some consider dated. Nick Curtis, for example, asks why this story about a minor-league rock band at a May Ball in 1969 is being revisited in 2026.
Despite the criticisms, Taylor’s performance has stood out. Adam Bloodworth noted that Self Esteem’s live performances with the band are compelling, suggesting that Taylor brings her musical background into her acting role. This crossover appeal may attract a diverse audience, bridging the gap between theatre and contemporary music.
As the production unfolds, it raises questions about the significance of historical narratives in modern theatre. Fiona Mountford pointedly remarks that the play does not seem to have “anything of burning import to say to us in 2026,” which invites further discussion on the role of revivals in the theatrical landscape.
Details remain unconfirmed regarding the potential for further adaptations or performances of Teeth ‘n’ Smiles beyond its current run. The play’s exploration of themes like ambition and the struggles of youth may resonate differently with today’s audiences, making it a topic of interest for theatre enthusiasts and critics alike.
In summary, Rebecca Lucy Taylor’s role in Teeth ‘n’ Smiles not only showcases her talents as an actress but also highlights the ongoing dialogue about the relevance of classic works in contemporary settings. As the production continues, it will be interesting to see how audiences respond and whether the play can find its footing in today’s cultural climate.
